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Posts tagged ‘Flickr’

#2 LUKAS VASILIKOS, Athens Street Photographer


Leica Liker is honored to have Lukas Vasilikos, Athens Street Photographer, as the Second Inspirational Guest!

You can tell when a street photographer lives, breathes and dreams his images. And Lukas Vasilikos is surely the personification. His passion once was to be a decathalon athlete, but when he decided to give it up, he needed to fill it with a new one. After taking a photography seminar where he was exposed to the masters he knew he had found his new passion.

When I first saw Lukas’ street photographs, I was struck by the sense of theatrics within each frame. People placed on a stage and frozen at that moment in time. They also possess a somewhat intellectual quality, much like a chess player strategically moving chess pieces on a board. Above all they appear surreal and dream-like.

To balance his photography palette, Lukas works on personal projects where he stages each shot with friends or family. He shoots these primarily in black and white, evoking tremendous emotion. It’s his way to explore themes like fear and fear of loss through death.


“Loss is like having nightmares. You can’t control them. So I try to confront it by photographing my wife, friends and family, the way I see them. I direct and control my personal shots whereas my street photographs require luck to play a role.”

What makes Lukas’ street and personal photographs stand out is the fact he delves into his own psyche, whether he thinks about it consciously or sub-consciously. It is the essence of his personal style. You can see the surrealistic, melancholic thread that runs through all of Lukas’ photos, even if they appear at first somewhat distant. It somehow drives and shapes his photographic eye. I find myself always drawn to them with great empathy.

Here is my interview with LUKAS VASILIKOS:

Nick Name: I have no nick name.
Currently living in: A suburb of Athens, Greece.
Motto: I don’t have one.
Profession/Job: I’m a Policeman. But I keep my job completely separate from my private and creative life. It provides me steady income so that I can pursue my interests.

Street Photographer since: I started in 2007 after a trip to Barcelona, Spain.
Websites: www.lukasvasilikos.com and www.flickr.com/photos/vasilikos/
Organizations or Group: http://www.street-photographers.com and http://www.streephers.com

Favorite Street Camera & Lens: I use a Canon 5D Mark II with 35mm f/2 lens
Back-up Street Camera & Lens: Panasonic Lx3. But I rarely use it.
Favorite photography gadget: I have a plastic Diana lens for my Canon.
Favorite street food: Just coffee :-).
Do you listen to music while shooting? Never. I want to be focussed on my “theater”.
Favorite music when editing Photos: Mostly Jazz.
Favorite photo software: I start with Lightroom 3 and then CS5.

3 Favorite Master Photographers: I like Garry Winogrand, Diana Arbus and Andre Kertez. Of course I like many photographers but I prefer these 3.
3 Favorite Contemporary Photographers: Martin Parr, Michael Ackerman (Agence VU), Anders Petersen.
Which 3 photographers’ prints do you own? I don’t have any prints.

Color or Black and White? Both. It depends on the project. I prefer color for street photography these days.
Shoot Film or Digital? Digital. Because I don’t have time and money to waste :-). But the truth is, I bought myself a Mamiya 6×4.5 to try out film.
Is there a special time of the day you like to shoot or is any time good? I generally don’t have a problem with the time of day. I will shoot any time of day if that’s the only opportunity I have. However, in Athens, our sun is so strong that during the day the harsh light is not so conducive to shooting. Images come out over blown. But I like the light after 4 o’clock in the afternoon when the light has a sheen. Everything glows. Faces look beautiful, everything looks great.

Why did you choose Street Photography and not another form of photography or stamp collecting? Street photography makes me feel free. All my senses are on alert and I like the “hunt”: to find and catch the right moment. I also take photos in the night, but that’s a whole different project I’m working on. It’s more personal. I can explore emotions like death, loss…
What motivates you to photograph the streets? I like to catch the moment that will never come back and make my personal world through my camera.

Is Street Photography an obsession? Yes, I think about it all the time except for my family. I’ve been shooting the streets for five years. If I continue like this, I think my head will explode. 🙂
Are you a lone shooter or do you like shooting with friends or a group? I am definitely a loner when it comes to street photography. I want to concentrate and be open to all aspects of life. When I am with friends or a group, I want to socialize with them. So I can’t get any photography done.
Favorite street photography city: Every city has different things to shoot. I like Istanbul. but I also like Paris. Two large cities which are so different from each other.
Athens is the city that I live in but it’s very difficult to do street photography here. There are motorbikes and cars everywhere. 🙂

What inspires your photography? Other photographers and cinema. I’ve already listed some photographers but in cinema I love Andrei Tarkovsky’s work.

What do you look for in a good photograph? Firstly, I look at the lines-composition and the surface/texture of each photo. Then I try to think what the photographer wanted to say or convey through the photo. What the “meaning” is per se, etc..

How do you go about shooting a street photograph? For street work, I do it in two parts. First I find a background to wait for something to happen that is in itself surreal or strange. I then wait for the right elements from people, things, animals, whatever, to walk into my frame. I know when I find a good background, I just have to be patient. Because the good shot happens most of the time.

For example, when I was walking one day, I saw a woman with a dog and waited for them to pass. That in itself was not enough for a photograph. But very often if you keep looking, another element will come along and connect to your first element or to a new element. In this case, the woman with the red purse walked into the frame in the same area as the red fire hydrant and the dog.

The other way I shoot the streets is to simply walk. I take a lot of photos and each time I try to add something to the frame. For instance, one day I was just walking, composing as I went. Then I came upon this couple in the ferry and the woman outside just happen to be in the shot.

Best 3 tips for shooting the streets:
1) Stay alert all the time. The good photo will suddenly appear before your eyes just for a split moment. You have to be ready to push the button without thinking.
2) When you shoot, don’t think. If you think you’ll miss your point of focus. There’s plenty of time after shooting, at home or wherever, to think about your mistakes and to delete those photos :-).
3) Drink coffee before shooting. You’ll be alert and have more confidence :-).
Best single advice on how to improve your work: Shoot every single day. Don’t be lazy. After 6 months you’ll see the difference.
Best single advice on how to edit your work: I use burn and dodge to improve my photos. This is my advice :-).
Best single advice for someone who wants to get into street photography: Think of a project. Then go out to shoot it. It will make you more focussed. For instance, if you choose shadows as one of your projects. Then just focus on shadows. After a couple of times out shooting you’ll see things that you missed before because you’re watching everything around you.

What’s the best moment in your street photography career? My work was exhibited in the Athens Photo Festival. They chose me from 1200 photographers.
What’s the worst moment in your street photography career? Until now, I haven’t experienced any of those moments.
What projects are you working on? On the street, I continue to try to catch surreal moments of everyday life. But you can see my on-going project “Red”, in which I add the color ‘red’ in my photos as part of the composition. You can see it here http://www.flickr.com/photos/vasilikos/sets/72157623503294932/
Another project is the “Brightest spot” that I worked on for 3 years. You can see it here http://www.flickr.com/photos/vasilikos/sets/72157603880835703/
Where do you want to be in 5 years with regard to street photography? First of all I want to have fun when I take photos. And when I’m ready, I want to publish a book that will collect all of my best photos from the streets.

Leica Liker thanks Lukas for sharing his thoughts and experience with us. We will definitely revisit him again to see his progress.
You can check out Lukas’ gear in Liker Bags’n Gear here.

#1: MARIO CUIC – Munich Street Photographer

Leica Liker is very honored to have Mario Cuic, Munich Street Photographer, to be the first featured guest of this blog inaugural launch with a full interview.

I was aware of Mario’s work through his membership in the ‘Seconds 2 Real’ Street Photography Collective. So it was serendipity when we were introduced via the Street Photography network in Google Plus.

When yours truly, went to Munich to visit friends and family, I was able to meet up with Mario and go shooting with him as well as his friend Robert Scholz, a fellow Street Photographer. Within a short period of time, I learnt from Mario, the importance of knowing your camera like an extension of your eye and hand. The rule is not new. Andre Kertesz was the first to say it, and thousands after him. But Mario’s conviction made me by into it. And it has made me become really aware of light, exposure and the beauty of my camera.

Mario is extremely passionate about street photography. So much so that he spends nearly all his free hours and holidays devoted to roaming the streets. He told me he loved “being at one with the streets, feeling its rhythm, hearing the sounds and smelling life”. It’s what makes him happiest.

Irony and sarcasm play a major role in the way Mario frames his shots. His work always has a unique sense of Bavarian and Croatian humor. And that’s exactly what shows in his photographs. He looks for the bizarre, comical and often whimsical situations in life.

What makes Mario’s photographs stand out is these observations are taken to the next level by his juxtaposition of  a situation against another situation within a scene.  This man’s t-shirt combined with the water jets. Detail against detail.

Or the police made fun by the crocodiles in various sex positions. “Make love, not war” is apropos here. To put these rather small refined details together within second or split second takes a trained eye and an acute sense of what is happening around him. When I shot the streets with him and Robert, he would dart away from us for a minute and come back with a very satisfying picture that both of us had no idea was even occurring.

And if that isn’t enough, Mario works hard at avoiding clichés. To challenge himself,  he also works on different styles. The latest one being “Open Field”, a term coined by Joel Meyerowitz. A photo framing several layers of action. All of the action, though separate, somehow create a single story or a single moment.

Mario sets high standards for himself. Because of his ambitions, we can be assured that there will be more unique photographs in the near future. We’ll be checking in on him for updates on his photographic journey.

Here’s my interview with MARIO CUIC:

Nick name : I don’t have a nick name.

Currently living in: Outer suburb of Munich, Germany.

Motto: How you meet someone is how you are met in return.

Street Photographer Since:  I can’t really remember. I think it was sometime between the years 2007 and 2008.

Profession: Quality Control Measurement Engineer for a manufacturer of machines for Oil Hydraulics.

Websites: http://www.mario-cuic.de   and   http://www.seconds2real.com

Organizations: German/Austrian  Street Photography Collective: Seconds 2 Real. And a small Flickr group which I administer together with my friend Robert Scholz:  Small Growers Street Association.

Favorite street camera & lens: Body: The great Leica M8 ( I like the organic look of the CCD sensor). Lenses: For 99% of my shots I  use a 1976 – Minolta M Rokkor 28/2,8. I also use an old 1991- Leica Sumicron 35/2.0;  Ultron 28/2.0 and  Voigtländer 15/4.5  and 35/1.4

Back-up street camera & lens: Ricoh GRD III (also a great CCD sensor and lens); My latest acquisition, the  Nikon V1 is a wonderful camera for subway or indoor work.  It’s small, silent, and good with low lighting and  has great shallow depth of field with the tiny 10/2.8 (kb 28mm) lens.

Favorite photography gadget: Thumbs Up and a bright 35mm Voigtländer viewfinder.

Favorite street food: Apple and water or leberkäse and gooood Bavarian beer  😉

Do you listen to music while shooting? No, that would cut me off from the outside world. On the contrary, when I’m in the underground metro, I enjoy the intermittent background sounds of the train rushing by. For me, it’s like music. It relaxes me, like a form of meditation.

Favorite music when shooting and/or editing photos: When I am editing my photos, I listen to bands such as “VNV Nation” or “And So I Watch You From Afar”. But, when I am selecting my photos, I don’t listen to any music, because it takes me out of  being able to feel the photographs.

Favorite photo software: Adobe Photoshop CS3 and Lightroom 3.

3 Favorite Master Photographers: I like the point of view of Garry Winogrand, Tony Ray Jones and Marc Riboud.

3 Favorite Contemporary Photographers: I like the point of view of  Richard Kalvar, Martin Paar and Matt Stuart.

Which 3 photographers’ prints do you own? I don’t own any.  I prefer Books.

Film or Digital ? For street photography, I use only digital. For private shoots, I always love to use film. For this simple reason: I’m just not interested in taking on so much work to develop, scan and process film.

If film, what type of negative? For color: Fuji Astia or Fuji Provia. For black and white: Fuji Neopan withTetenal Emofin (two component developer)

Is there a special time of the day you like to shoot or is any time good? I like any time because the light is special at any moment of the day.

Why did you choose Street Photography and not another form of photography or stamp collecting?  It all started when I bought  myself  a book about Mark Ribou. It was then I began my love for photography and humanity.  Through photography, I found myself often coming in contact with people. Since then, hardly a week goes by when I’m not out shooting the streets of Munich.  However, street photography is not the only  type of photography I make. I love to shoot on specific themes.  For instance, between 2008 and 2009 I only took photos of people in our U-bahn, the underground metro. It isn’t specifically street photography, but it is a another way of communicating visually. It helps me develop my sensitivity when I shoot different subjects and styles. I feel if you only shoot street photography, after a while, you lose the ability to find the decisive moment. You don’t “see” anymore.

What motivates you to photograph the streets? There is no ‘big’ motivation. It’s really a mixture of interest in humans and photography and to capture the decisive moment.

What I also found wonderful is when I visit an exhibit of mine, like the last one in Berlin with Seconds 2 Real.  I saw how the people stood in front of my photos which made them smile. That motivates me a tremendous amount. It means a great deal to me.

Favorite street photography city: Munich is my home base. It’s where I feel good and where I make most of my photographs.  But I also like to shoot in other cities. Every city and every human has their own uniqueness.

What inspires your photography? I am mostly inspired by photography and movies. I have been shooting for five years, with my friends, on two ‘No Budget’ movies.  I hope those films will be completed this year.

What do you look for in a good photograph? At a certain moment in time I try to capture different layers consisting of the comical or bizarre, some kind of message, proper composition and most of all, it communicates. The photograph should be  self-explanatory without the aid of any text, except of course journalistic documentaries. As for themes and project series, the photographs must  have some connection with each other and support the general feeling of the theme. Or at least they must work together for the larger story.

Best 3 tips for shooting the streets: Good shoes, good mood. Keep the head clear so that you’re open for everything in the street.

Best single advice on how to improve your work: Be interested in other photographs and photographers. Not necessarily to compare or even envy,  but to be inspired by how they work and learn from them.

Best single advice on how to edit your work: If you work in Photoshop, then use the LAB Color Module a couple percent to raise the saturation. This will help improve the flat digital colors. That’s the only tip I can give because I pretty much shoot everything “in-camera” with the correct exposure and framing.  I do almost no post processing except for what I just mentioned.

Best single advice for someone who wants to get into street photography: Consider what you REALLY WANT TO SHOW from our world and how you visually want it to look like.

What’s the best moment in your street photography career? The best moment in my career is: Each time I push the shutter button and capture 100% of what I envisioned.

What’s the worst moment in your street photography career? Up until now, I have not had any “worst moment”. But occasionally I run into security guards or subway security who want to know what I’m doing.  That’s when I try to be friendly to them and speak with a calm tone. I’ve found when you are nice to people, you usually get what you want. Especially if you let them feel like they have everything under control. Then you are often allowed to continue shooting. This is my “Gandhi strategy” :).

What projects are you working on? I have some small projects such as my “Trainspotting” underground metro series which I hope to one day finish. I am also doing a portrait series with a specific theme based on my interest in people. But that will take a while :).

Where do you want to be in 5 years with regard to street photography? I don’t have a specific plan. What comes, comes. I just want to photograph. To have a plan and achieve it, one must advertise and be able to sell one’s self very well. It’s not my world. I don’t have anything against others who want to do it. Everyone has to do what is right for them. I love my photographic life the way it is. Not too much and not too little. There has to be a balance. But most of all I have to have fun with it!

Congratulations on your upcoming exhibition titled ‘Fascination Street’ in Vienna with the collective Seconds 2 Real. Check out the up-coming Vienna exhibit here. Are there other exhibitions planned in the future?

There are more exhibits planned with other street photography groups, which I can’t really reveal. Because, I don’t want to spoil it :).

Leica Liker wants to thank Mario Cuic very much for the interview and advice given here.

Check out Mario’s gear under “Liker Bags ‘n Gear” in this blog.

Even Mario’s self portrait has a sense of humor.